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The Story So Far
 

Photo by Chris Maait
by Devi Mamak

My fascination with American Tribal Style (ATS) began when my teacher at the time, Kaiya Seaton, showed me the FCBD LIVE! Video.

What I thought I saw was a woman dancing to a mirror. I was riveted when I realised there were 2 dancers! The synchronicity and the connection that they have, has always stayed with me.

A few years later in '99' I had the opportunity to go to San Francisco for several months. Naturally I took as many classes as I could with Carolena Nerricio and the team at Fat Chance Belly Dance. I was totally hooked on ATS!

Upon returning to Australia I was struck by the obvious; I was a now tribal dancer without a tribe and without a teacher. So I sat down and did a little thinking: "I have to dance this with someone... if no one can teach me this style I will teach others what I know and I'll start to build a tribe." So in 2000 I started teaching. At first it was a mixture of what I had been taught before and ATS but as time went on and I learnt, researched and practised more, I realised that I only wanted to focus on ATS.


Photo by Michael Mamak Captured Memories

I started teaching beginners for 1 hour on Monday nights. The class has steadily grown as have the needs of the students. We now have 7 hours of classes and in response to the enthusiasm of the students, considerable additional practice during the week.

Many of the ladies including myself had danced and performed in other troupes previously so it was natural for us to slowly develop into a performance troupe. The immediate problem was to settle on a name! We finally narrowed it down to just a few, unanimously agreeing upon Ghawazi Caravan. The Ghawazi were known for their free spirits, using zills, dancing with props on their heads and in general for entertaining and shocking their audience. Sounded like us! An "authentic" Egyptian troupe we are not, but from these Egyptian gypsies we have drawn our name and inspiration.

We now perform regularly at private and corporate functions, festivals, parties and weddings, not to mention giving regular workshops locally and nationally. (For a list, please visit the Previous Events page.)

Photo by Michael Mamak Captured Memories

My students and I have great fun at all the gigs. There's little doubt that dancing publicly is a great learning experience, but we needed more input. I knew from a personal point of view that I needed to be shown more, encouraged, corrected, inspired and above all, to meet others as passionate about this dance style as I was. In 2002 I sponsored Karen Gehrman from FCBD to teach a weekend workshop. I had a huge response and participants came from all over the country. I personally learnt a lot from the private lessons that I had with her. I organised a performance night where Karen & I performed an improv duet. I was amazed as she communicated with me through her eyes. This solidified my commitment to ATS. I decided to dedicate myself solely to ATS.

"It was rewarding to come back to Australia and see ATS really catching on and in such a beautiful setting. To be so well received was an honour. It was wonderful to see students and teachers from many different dance disciplines brought together for the workshops and performances. Devi created an atmosphere of respect and encouragement for all the participants. The collaboration of the weekend paid a lovely compliment to the co operative nature of ATS and I'm truly grateful to have been a part of it." ... Karen Gehrman, Assistant Director FCBD

In 2003 all 10 members of Ghawazi Caravan entered the 1st annual Belly Dance competition. To our surprise and delight we actually came 2nd in the group section (apparently 1 and a half points off coming first!). How exciting !


Photo by Michael Mamak Captured Memories

In March 2004 I sponsored Paulette Rees Denis of Gypsy Caravan. It was so interesting for me to meet another experienced ATS dancer and performer especially since her format is quite different to FCBD. She is an excellent teacher and she really got my head swimming with ideas and possibilities. It was wonderful to meet her husband Jeff Rees who is also part of Gypsy Caravan and a wonderful musician.

We held a huge dance and drum extravaganza the weekend that they were here and it was a huge success. Paulette and I did an improvisational duet. (This was interesting since I am not very well versed in her format!). We also had Jeff blowing his horn on several different instruments (some of which I have never seen or heard of), and our very own locally grown John May from Hands Heart and Feet and Andy Bussuttil on Darubuka. None of us had ever performed together so considering all of this I think we did a pretty good job. Paulette and Jeff have both fuelled me with the desire to see and learn more ATS. Who knows who we will bring out next time!

In May 2004 I was asked to teach at the Sydney Middle Eastern Festival. I found that to be a huge honour. It went down very well with one of the comments being. "Best workshop! My first introduction to tribal. I'm hooked!" Needless to say I am very pleased. In May 2004 myself and 7 other Ghawazi Caravan members travelled to the U.S.A where we received more direct, intensive training from FCBD, Ultra Gypsy and more, which of course was extremely beneficial.

Photo by Michael Mamak Captured Memories
We also attended Tribal Fest 2004 where we had the opportunity to perform for our tribal peers. We performed improvisational with Diaspora of Western Australia. It was a wonderful experience and one I am sure none of us will ever forget. For more on our trip visit our "The U.S.A Tour" page.

In December 2004 Lara & I travelled to Canberra to teach some workshops & the rest of Ghawazi Caravan came along to perform a show.

In January 2005 I travelled to Victoria to teach workshops in Ararat & Melbourne where Lenore joined me for a performance & to help assist me with the Melbourne workshops.

In March 2005 Lara & I travelled to Queensland to conduct sell out workshops.

Early in 2005 I once again sponsored Paulette Rees Denis (Jeff came too) for more of her fabulous workshops. We had attendees from Victoria & New Zealand. One of the highlights was an impromptu party with wonderful dancers & musicians from different tribes & different areas who had never danced or played together & yet it all worked so beautifully & was SO much fun! This year saw Paulette & Jeff travelling to Western Australia, South Australia & Northern N.S.W. Proof that the tribe vibe is growing here in Australia.

I am very excited about the future of ATS in Australia and feel very lucky to be a part of the "Aussie" tribal scene since its beginning.

"So what of the future for ATS in Australia"? I hear you ask. I would like to see us coming up with specific "Aussie" moves but still keeping that strong ATS presentation.

What I would really like for us "Aussie ATS" enthusiasts is to keep the very nature of ATS alive and well and really support each other. I honestly believe that getting along with one another is the true sprit of ATS and if we cannot get on with one another it will show in all our performances as what we do is largely improvised. How can you feed off each other if you are not even connecting? Remember, the audience can always tell!

 
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